With a triumphant staging of Berg’s monumental opera Wozzeck, universal artist William Kentridge, who already made headlines with his productions of The Nose and Lulu, makes his appearance at the Salzburg Festival. In a “breathtaking reassessment” (Financial Times), he puts Berg’s tragical portrait of a simple soldier harassed by a merciless society in an extraordinary, multilayered set design, in which various projections of movie scenes and drawings intertwine with the action on stage. “Mr. Kentridge has
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