My Ship, Bremner sings live at The Jazz Bar

Kurt Weill's song from the Broadway show 'Lady In The Dark'. Performed live at The Jazz Bar in Edinburgh, Scotland. Bremner Fletcher Duthie has spent 25 years exploring the songs that fascinate him and the strange artform that is kabarett (...or cabaret). From John Cage to Lou Reed, from Joni Mitchell to Charles Ives, and always with a special focus on the amazing songwriting of Kurt Weill and Bertold Brecht, Bremner has reveled in recording and performing songs that sit at the edges of the canon of popular song. Bremner was born in New York and grew up in the USA, Scotland and Canada. Singing is all he ever wanted to do. Every afternoon in New York, his family would hear him down the street singing his way home from school. He started with Punk Rock bands, moved on to singing Opera, and trained at the Centre for New Opera in Canada before moving on to Musical Theatre and Cabaret. He currently lives between New Orleans and Paris and is writing and singing his own songs inspired by the innovative, ground- breaking repertoire of the 1920's & 30's. Kurt Weill (1900-1950) began his career in the early 1920’s, after a musical childhood and several years of study in Berlin. By the time his first opera, The Protagonist (Georg Kaiser), was performed in April 1926, he was an established young German composer. But he had already decided to devote himself to the musical theater, and his works with Bertolt Brecht soon made him famous all over Europe. He fled the new Nazi leadership in March 1933 and continued his indefatigable efforts, first in Paris (1933-35), then in the U.S. until his death. Certain common threads tie together his career: a concern for social justice, an aggressive pursuit of highly-regarded playwrights and lyricists as collaborators, and the ability to adapt to audience tastes no matter where he found himself. His most important works: the Violin Concerto (1925), The Threepenny Opera (Bertolt Brecht and Elisabeth Hauptmann, 1928), Rise and Fall of the City of Mahagonny (Brecht and Hauptmann, 1930), The Pledge (Caspar Neher, 1932), The Seven Deadly Sins (Brecht, 1933), Lady in the Dark (Moss Hart and Ira Gershwin, 1941), Street Scene (Elmer Rice and Langston Hughes, 1947), Lost in the Stars (Maxwell Anderson, 1949). He died of heart failure in 1950, shortly after he and Anderson began work on a musical adaptation of Huckleberry Finn, leaving behind a large catalogue of works and a reputation that continues to grow as more of his music is performed.