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Album: Blues from the Attic - | Willie Dixon Cover | This is a re-upload on an old tune on the channel with better sound and video | Lyrics: Everybody talkin' 'bout the seventh son In the whole wide world there is only one And I'm the one, I'm the one I'm the one, I'm the one The one they call the seventh son I can tell your future, it will come to pass I can do things to you make your heart feel glad Look in the sky, predict the rain Tell when a woman's got another man I'm the one, oh I'm the one I'm the one, I'm the one The one they call the seventh son I can talk these words that will sound so sweet They will even make your little heart skip a beat Heal the sick, raise the dead Make the little girls talk outta their heads I'm the one, oh I'm the one I'm the one, I'm the one The one they call the seventh son I can talk these words that will sound so sweet They will even make your little heart skip a beat Heal the sick, raise the dead And make the little girls talk outta their heads I'm the one, oh I'm the one I'm the one, I'm the one The one they call the seventh son I'm the one, hey, hey I'm the one Oh, I'm the one, babe Oooo, I'm the one I'm the one, I'm the one The one they call the seventh son I'm the one, I'm the one The one they call the seventh son Led by Colin Cooper, the former frontman of the R&B unit the Hipster Image, the Stafford, England-based Climax Chicago Blues Band were one of the leading lights of the late-'60s blues boom. A sextet also comprised of guitarists Derek Holt and Peter Haycock, keyboardist Arthur Wood, bassist Richard Jones, and drummer George Newsome, the group debuted in 1969 with a self-titled effort recalling the work of John Mayall. Prior to the release of 1969's Plays On, Jones left the group, prompting Holt to move to bass. In 1970 the Climax Chicago Blues Band moved to the Harvest label, at the same time shifting toward a more rock-oriented sound on the LP A Lot of Bottle. Around the release of 1971's Tightly Knit, Newsome was replaced by drummer John Cuffley; upon Wood's exit in the wake of 1972's Rich Man, the unit decided to continue as a quartet, also dropping the “Chicago“ portion of its moniker to avoid confusion with the American band of the same name. In 1974, the Climax Blues Band issued FM Live, a document of a New York radio concert. Released in 1975, Stamp was their commercial breakthrough, and 1976's Gold Plated fared even better, spurred on by the success of the hit “Couldn't Get It Right.“ However, the rise of punk effectively stopped the Climax Blues Band in their tracks, although they continued recording prolifically well into the '80s; after 1988's Drastic Steps, the group was silent for a number of years, but resurfaced in 1994 with Blues from the Attic. - Allmusic 🎧 Don’s Tunes is about the music. It’s about the sound. It’s about the real thing. My mission for over 10 years is to collaborate with & promote lesser known, but extremely talented blues & jazz artists and bring you a selection of tunes with an audiophile sound and real emotion. On my website you can read more about the artists featured on the channel: If you're an artist or label and want to me featured on the channel, Spotify and my website visit: & write me on don@ The song is used with a promotional purpose. All visual & audio copyrights belong to their respective owners. Re-uploading this video on other channels is prohibited. Find more quality Blues on YouTube here: 👉 ▶️ Don's Tunes on Spotify ▶️ Don's Tunes on Facebook: ▶️ #whiskeyblues #bluesrock #bluesmusic & Jazz Group: ▶️ Don's Tunes on Instagram: ▶️ Don's Tunes on Twitter:
