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Be sure to check out a next-generation music source separation service for fast, easy and precise stem extraction. Remove vocal, instrumental, drums, bass, guitar, synthesizer, wind and string instruments, and piano tracks without quality loss. 📥 DOWNLOAD SHEET MUSIC - 📯 JP274s EUPH BUNDLE - #configuration 🏫 STUDY WITH ME AT SETON HILL UNIVERSITY - amatonis@ 👨🎓 ONLINE LESSONS - @ Happy Monday Friends! We have a Brand New Euphonium Solo with Brass Band Version of “The King's Gambit“ arranged for you by Anneke Kamerman today. This piece was commissioned by Fabien Décaillet as a gift for his newborn son, Alexis. “The King's Gambit“ is aimed at including elements of modern progressive style alongside a more standard virtuosic euphonium style commonly featured in traditional euphonium repertoire. The compositional style focuses on complex and highly syncopated rhythmical grooves with a minimalist harmonic style, found in modern-day rock and pop music. The piece demonstrates extreme range, finger dexterity, coordination of multiple-tonguing techniques, flexibility, and breath control which are normally expected in academic repertoire. Visit for 10% discount with promo code “Matonizz“ Matonizz (Principal Euphonium at RCB) Online Lessons: @ Instrument Used: Drew Fennell (Principal Flugelhorn at RCB & RCYBB Conductor) Online Lessons: drflessons@ Instruments Used: Bb Trumpet: Bb Flugelhorn: Bb Cornet: Eb Cornet: Jason Allison (Principal French Horn at RCBB) Instrument Used: Ross Cohen (1st Baritone at RCB) Instrument Used: Brian Kelley (Tuba at RCB) Online Lessons: briankelleytuba@ Instrument Used: Vlatlos (Drums) Dmitry Babkin (Sound Engineer) @ Included Parts: The piece is written for standard British-style brass band. This set of parts includes supplementary parts with alternative keys for French Horns in F, and bass clef parts for the relevant low brass instruments. Below is the full listing of parts with the available substitutes. Instrumentation: Solo Euphonium T.C. Solo Euphonium B.C. Soprano Cornet in Eb Solo Cornet in Bb Repiano Cornet in Bb 2nd Cornet in Bb 3rd Cornet in Bb Flugelhorn in Bb Solo Horn in Eb Solo Horn in F 1st Horn in Eb 1st Horn in F 2nd Horn in Eb 2nd Horn in F 1st Baritone T.C. 1st Baritone B.C. 2nd Baritone T.C. 2nd Baritone B.C. 1st Trombone T.C. 1st Trombone B.C. 2nd Trombone T.C. 2nd Trombone B.C. Bass Trombone Euphonium T.C. Euphonium B.C. Tuba in Eb Tuba 1 & 2 in B.C. Tuba in Bb Tuba 3 & 4 in B.C. The game (and the piece) is divided into three major sections which correlate to stages and specific moves in a chess match. 1) Opening: e5 ... 2) Middlegame, including Queen Sacrifice (cadenza section) 3) Endgame The overarching design of the piece is shown in the interplay between the euphonium and the ensemble. In the early stages of the piece (the game), the soloist and the band trade blows, but everything shifts at the Queen Sacrifice with the euphonium taking dominance in the game. The Endgame plays out the euphonium’s attaining a position so strong that Checkmate# is inevitable. #euphonium #brassband #shredding #new #solo #tuba #trumpet #frenchhorn #trombone #cornet #baritone #tenorhorn #percussion #flugelhorn #technique Live Strong, Play Strong, Represent Clothing: 0:00 - Opening: e5 ... 2:00 - Middlegame 4:23 - Queen Sacrifice 5:19 - Endgame 6:17 - Checkmate# 6:22 -
