Liu’s wood carving inherits the essence of Shu Han stone carving art, fully integrating ancient temple buildings and statue sculptures in terms of technical expression. The biggest technological feature is to fully take shape from the natural characteristics of ebony such as “thin, transparent, leaking, and wrinkled“, and use carving techniques mainly based on “skillful carving“. The design of Liu’s wood carvings is mostly based on Ming and Qing dynasty wood carvings, which need to achieve six key points of aesthetics, elegance, naturalness, fluency, and practicality.
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