Rhythmus 21 by Hans Richter (1921-24), Symphonie Diagonale by Viking Eggeling (1921-24), Le Retour à la Raison by Man Ray (1923), Entr’acte by René Clair & Francis Picabia (1924), Le Ballet Mécanique by Fernand Léger (1924), Filmstudie by Hans Richter (1926), Emak Bakia by Man Ray (1926), Vormittagsspuk (Ghosts Before Breakfast) by Hans Richter (1927) “The cinematographic universe of Dada is a crossroads of iconographic subversion and abstraction, formal geometry and corporal eroticism, bathed in a general indifference to “making sense“ - unless it is making sense of its own deconstruction.“ Philippe-Alain Michaud
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