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You can watch the detailed video: Colorful Kitchen Lithography: *Altyazıyı açmayı unutmayın. / Don't forget to turn on the subtitle. Required Materials: • Plastic or metal sheet for stretching the aluminum folio: The acetates sold in stationery stores in micron are the most ideal sheet to stretch the aluminum folio. It is easy to cut acetates, and they are not heavy. • Aluminum folio in the form of roll that will be used as mould and on which the work will be drawn. These types of folios are easily available in many markets, and the ones that are thicker are stronger and endurable. For this reason, the mould-type aluminum folio should be preferred. • There are many alternatives for drawing. The oil pen, acetate pen or the eyeliner used in Lithography are the ideal drawing tools. Aside from these, wax, pieces of soap and oil pastel may also be used for drawing. • Instead of nitric acid, coke is used as corrosive. The cokes that include phosphoric acid should be preferred. • A rolling pin with medium-hardness to apply the paint onto the drawing. • Printing ink or oil paint. • Two pieces of natural sponge to moisten the surface of the sheet. • A wooden spoon that will be used to transfer the work to paper. • A paper towel that will be used to increase the pressure when transferring the work onto paper. • A spatula that will be used to mix the paint. • Powder that will be used to decrease the stickiness of the paint. • Adhesive tape to fix the aluminum folio to the surface. For more details: Daha fazla detay için: 1- 00:00 - Preparation of the plate ( Plakanın hazırlanması ) 2- 03:21 - Drawing ( Çizim ) 3- 05:30 - Preparation of ink ( Boyanın hazırlanması ) 4- 06:40 - Coke bath ( Kola Banyosu ) 5- 07:30 - Rinsing with water ( Durulama ) 6- 08:55 - Drying the Plate (Plakanın Kurutulması ) 7- 09:30 - Wiping the plate with water ( Plakanın su ile silinmesi) 8- 10:25 - Inking the plate ( Boya verme aşaması ) 9- 11:15 - Printing stage ( Baskı aşaması ) 10- 12:05 - Second edition ( İkinci Baskı ) 11- 13:55 - Result ( Sonuç ) French Émilie Aizier started to try and develop this technique in 2009. In 2011, Émilie was accepted as the inventor of this technique, and named this technique as “Kitchen Lithography”. “Kitchen lithography“ is one of the new (alternative) printmaking techniques. Kitchen lithography is alternative to traditional lithography. It is seen that unlike the traditional lithography, kitchen lithography can be applied without harmful chemicals (acid, thinner types, etc.). Compared to traditional lithography in this technique results are received faster and students or artists doesn't have to work in a specifically arranged studio. “Kitchen Litografi “ bu yeni (alternatif) baskı tekniklerinden biridir. Kitchen litografi, geleneksel litografiye bir alternatiftir. Geleneksel litografiden farklı olarak Kitchen litografi zararlı kimyasallar (asit, tiner çeşitleri vb.) olmadan uygulanabilmektedir. Bu teknikte geleneksel litografi ile karşılaştırıldığında sonuçlar daha hızlı alınır ve öğrencilerin veya sanatçıların özel olarak düzenlenmiş bir stüdyoda çalışmaları gerekmez.
