Guest
Playing the tenor saxophone is like speaking a language, but instead of words, I use notes to convey my emotions. Recently, I've been working on variations of Joe Dassin's “Et Si Tu N'existais Pas,“ a beautiful and timeless melody that has been stuck in my head for weeks. As I play, I close my eyes and let the music flow through me, each note telling a story of its own. I begin with a slow and mournful rendition, the melody melancholic and haunting. Then I switch it up, adding trills and runs to liven up the piece and give it a playful, jazzy feel. With each variation, the song becomes more complex, more layered, until it's almost unrecognizable from the original. I experiment with different keys and tempos, playing around with the rhythm until it feels just right. When I finally finish, I feel a sense of satisfaction and accomplishment wash over me. Playing the tenor saxophone is my way of expressing myself, and this variation on Joe Dassin's classic hit has allowed me to do just that.
