Guest
It is interesting to reflect that Johann Strauss II’s An der schönen blauen Donau (By the beautiful blue Danube), the most famous of all orchestral waltzes, was conceived and first performed as a showpiece for male voice choir. The work was Johann’s first choral waltz, written as a commission for the Wiener Mannergesang-Verein (Vienna Men’s Choral Association) with whom he was to enjoy a close association over the years, creating for the choir a total of six choral master waltzes, two polkas and a march. Strauss began sketching themes for the waltz, which would eventually bear the title An der schönen blauen Donau, in autumn 1866, and originally submitted to the Association a four-part unaccompanied chorus comprising just four waltz sections and a brief Coda, but without Introduction. A hastily written piano accompaniment followed soon afterwards, and then a fifth waltz section. The orchestral accompaniment, together with the distinctive Introduction, was provided only shortly
