Track 9/10, from [Comfortable Void] (Ultimae inre052). As a blurry memory that we couldn't entirely catch, Wake is like a deformed mirror of the previous track Oomph. Mimicing the construction of its predecessor, Wake starts with evasive layers of sounds and distant echoes of voices, getting lost in the air. But unlike Oomph, we are not here in a closed environment when the serious business starts, but in the open air, against a wild mineral landscape in the rising sun. The comfortable void we momentarily forgot in a transcendent party full of linked people reasserts itself in the steamy explosions from geysers, pierced by sunbeams. Surrounded by these ephemeral apparitions acting like kindly ghosts, the ubiquitous acid sounds finish the work begun in Oomph and take the last drops of energy remaining in us. Wake, with its orgy of modulated 303 sounds, is the fastest track on this album and, even if we don't know it yet, the end of the festivities before a last melancholic p
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