Guest
Bass – Dave Holland (tracks: C, D), Michael Henderson (tracks: B), Ron Carter (tracks: A) Bass (Fender) – Harvey Brooks (tracks: A, D) Clarinet – Bennie Maupin (tracks: A, B, D) Drums – Al Foster (tracks: B), Billy Cobham (tracks: A, D), Billy Hart (tracks: B), Jack DeJohnette (tracks: C, D) Electric Guitar – John McLaughlin (tracks: A, C) Electric Piano – Chick Corea (tracks: A, C), Herbie Hancock (tracks: A), Joe Zawinul (tracks: D) Flute – Bennie Maupin (tracks: B), Sonny Fortune (tracks: B) Organ (Farfisa) – Joe Zawinul (tracks: D) Percussion – Airto Moreira (tracks: A, D) Percussion (African) – James Mtume (tracks: B) Piano – Harold “Ivory“ Williams (tracks: B), Lonnie Smith (tracks: C) Saxophone – Carlos Garnett (tracks: B), Sonny Fortune (tracks: B), Steve Grossman (tracks: C), Wayne Shorter (tracks: D) Sitar (Electric) – Bihari Sharma (tracks: A), Khalil Balakrishna (tracks: A, D) Soprano Saxophone – Steve Grossman (tracks: A) Tabla – Badal Roy (tracks: B) Recorded: November 19, 28, 1969; February 6, 1970; March 3, 1970; and June 12, 1972 Studio: Columbia Studios B and E, New York City Producer: Teo Macero A Great Expectations 0:00 B Ife 27:24 C Go Ahead John 49:00 D Lonely Fire 1:17:27 FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
