Guest
Australian performer and National Sawdust artist-in-resident Sophia Brous joins with New York icon and guitarist Marc Ribot to premiere a new collaboration with Shazhad Ismaily on percussion. In the Birth of Tragedy, Frederik Nietzsche theorized the religious myth of Silenus (“the best thing for you would be to have never been born”) as the trauma that necessitated the birth of the artistic beauty of Greek Tragic theater. The Carter Family’s “When the World’s On Fire” points to a different process at work in American culture: when utopian optimism collided with the lived reality of the New World and produced apocalyptic visions of devils, fire, and brimstone. As Greil Marcus writes, paving the way for the “devil” as a primary antagonist in the sublime musical expression of musician Robert Johnson and a blues and gospel musical heritage of enormous power and beauty. Whatever the political effects of these socio-religious transformations might be, it seems clear to us that they have “stung…into poetry” some o
