The song was written by Robbie Robertson and Levon Helm. According to Rob Bowman's liner notes to the 2000 reissue of the Band's second album, The Band, it has been viewed as a concept album, with the songs focusing on peoples, places, and traditions associated with an older version of Americana. The lyrics tell of the last days of the American Civil War, portraying the suffering of the protagonist, a poor white Southerner. Robertson stated that he had the music to the song in his head but at first had no idea what it was to be about. Then the concept came to him and he did research on the subject. Levon Helm, a native of Arkansas, stated that he assisted in the research for the lyrics. In his 1993 autobiography, This Wheel's on Fire, Helm wrote, “Robbie and I worked on 'The Night They Drove Old Dixie Down' up in Woodstock. I remember taking him to the library so he could research the history and geography of the era and make General Robert E. Lee come out with all due respect.“ Dixie is the historical nickname for the states making up the Confederate States of America. The first lines of the lyrics refer to one of George Stoneman's raids behind Confederate lines attacking the railroads of Danville, Virginia at the end of the Civil War in 1865. The Band frequently performed the song in concert, and it is included on the group's live albums Rock of Ages (1972) and Before the Flood (1974). The song was included in the concert on Thanksgiving Day 1976 which was recorded in the documentary film about the concert, The Last Waltz, as well as the soundtrack album from the film. The last time the song was performed by Helm was in The Last Waltz (1976). Helm refused to play the song afterward. Although it has long been believed that the reason for Helm's refusal to play the song was a dispute with Robertson over songwriting credits, according to Garth Hudson it was due to Helm's dislike for Joan Baez's version. It was 245 on Rolling Stone magazine's list of the 500 greatest songs of all time. Pitchfork Media named it the forty-second best song of the Sixties. The song is included in the Rock and Roll Hall of Fame's “500 Songs that Shaped Rock and Roll“ and Time magazine's All-Time 100.
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