Described as “a playful take on what seems like a serious documentary on structuralist philosophy,“ the film appears to document a three-day forum attended by many notable intellectuals and artists gathered to imagine and discuss the possibilities of Résistances, an unrealised sequel to Jean-François Lyotard’s 1985 exhibition titled Les Immatériaux, shadowed by a man (Tuomo Tuovinen) dressed head to toe in a green lycra full bodysuit, allowing him to act as a human greenscreen displaying extraneous images by artist Peter Burr, set to “a haptic surround sound mix“ by sound designer Philippe Ciompi.
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