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Linea, ballet for 2 pianos, vibraphone & marimba (1974) Paola Biondi & Debora Brunialti, piano Domenico Cagnacci, vibraphone Dario Doriani, marimba The postmodern “tradition“ to which Berio’s said to belong has among its defining marks an enmity toward linear narratives, indeed to the notion of line in general. You can see this especially in Berio’s approach to theater, where the aspects of plot and story previously essential to both play and opera aren’t merely avoided, but exploded, deconstructed, wildl
