An analysis of Stephen King’s Christine, John Carpenter’s film adaptation, and their relationship to George Lucas’ American Graffiti, highlighting the horror story’s approach to 1950s nostalgia as a specter of the past, how Lucas got nostalgia right in his influential film, and how Carpenter uses the Plymouth Fury to critique Reagan’s America. PATREON - #horror Music: “Christine“ and “They Live“ by John Carpenter “Murmuration“ by Blue Wednesday “I Wish It Would Never Stop Snowing“ by Sleepy Fish “Tech Noir“ by Gunship “Vampires“ by The Midnight Sources:
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