Guest
The 'Amen' fugue sketch believed by scholars to have been destined for the end of the Lacrimosa in Mozart's unfinished Requiem has been the subject of much tinkering and speculation by 20th century would-be completers of the work. These five elaborations by Richard Maunder, Duncan Druce, Robert D. Levin, Panczel Tamas, and Benjamin-Gunnar Cohrs demonstrate the wide variety of interpretations of these half-written fourteen bars of music.
