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🎧 Listen to our playlist on Spotify: 👉 Sync Licensing: ☕ Buy us a coffee: 🙏 Baroque Classics Tracklist: 0:00:00 Vivaldi - Concerto for Strings in A major, RV 159: I. Allegro Vivaldi - Concerto for Strings in A major, RV 158: 0:01:47 I. Allegro molto 0:04:55 III. Allegro Vivaldi - Concerto for Strings in A major, RV 160: 0:08:44 I. Allegro 0:11:01 III. Allegro Vivaldi - Concerto for Strings in G major “Alla Rustica“, RV 151: 0:13:10 I. Presto 0:14:47 III. Allegro Vivaldi - Concerto for Strings in G major, RV 150: 0:17:23 I. Allegro 0:19:15 III. Allegro Handel - Music for the Royal Fireworks, HWV 351: 0:21:26 I. Overture 0:29:13 II. Bourrée 0:30:56 III. La Paix (Largo alla Siciliana) 0:34:03 IV. La Rejouissance (Allegro) 0:35:58 V. Minuetto I 0:37:35 VI. Minuetto II Bach - Orchestral Suite No. 3 in D major, BWV 1068: 0:39:58 I. Ouverture 0:53:42 II. Air on the G String 0:59:11 III. Gavotte I, II 1:03:37 IV. Bourrée 1:05:08 V. Gigue Bach - Orchestral Suite No. 4 in D major, BWV 1069: 1:08:11 I. Ouverture 1:23:37 II. Bourrée I, II 1:26:44 III. Gavotte 1:28:57 IV. Menuett I, II 1:33:31 V. Réjouissance Vivaldi - Flute Concerto in F major “La Tempesta di Mare“, RV 433: 1:36:26 I. Allegro 1:39:34 III. Presto Vivaldi - Flute Concerto in D major “Il Gardellino“, RV 428: 1:41:48 I. Allegro 1:45:23 III. Allegro Vivaldi - Flute Concerto in F major, RV 434: 1:48:11 I. Allegro, ma non tanto 1:51:52 III. Allegro Vivaldi - Flute Concerto in G major, RV 435: 1:53:29 I. Allegro 1:56:04 III. Allegro Vivaldi - Flute Concerto in G major, RV 437: 1:58:13 I. Allegro 2:02:06 II. Largo Corelli - Concerto Grosso in D major, Op. 6 No. 1: 2:04:31 I. Largo - Allegro 2:07:25 IV. Allegro 2:09:15 V. Allegro Corelli - Concerto Grosso in F major, Op. 6 No. 9: 2:11:26 I. Preludio 2:12:53 II. Allemanda 2:15:26 III. Corrente 2:17:20 IV. Gavotta 2:18:08 VI. Minuetto Albinoni - Sinfonia No. 3 in G major: 2:19:57 I. Allegro 2:24:25 II. Minuetto 2:29:11 III. Allegro Albinoni - Sinfonia No. 5: 2:33:23 I. Allegro 2:37:43 II. Minuetto 2:41:42 III. Allegro All tracks performed by Budapest Scoring Symphonic Orchestra, Peter Illenyi Except Vivaldi’s Concertos performed by Orchestra Filarmonica Italiana, Alessandro Arigoni Baroque music refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque period is divided into three major phases: early, middle, and late. Baroque music forms a major portion of the “classical music“ canon, and is widely studied, performed, and listened to. The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Alessandro Stradella, Antonio Vivaldi, Tomaso Albinoni, Johann Pachelbel, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Johann Hermann Schein, Heinrich Schütz, Samuel Scheidt, Dieterich Buxtehude, and others. The Baroque saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this type of harmony has continued to be used extensively in Western classical and popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers. During the period composers experimented with finding a fuller sound for each instrumental part (thus creating the orchestra), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of t
