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Kirsa Nicholina (1969) dir. Gunvor Nelson

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Kirsa Nicholina records the birth of a child at home by the Lamaze method. The father assists in the birth, while a physician guides him. At the moment of birth, the mother reaches down and grasps the hand of the emerging child and guides it out of her body and into her arms. Amos Vogel wrote: An almost classic manifesto of the new sensibility, it constitutes a proud affirmation of man amidst technology, genocide, and ecological destruction. Birth is presented not as an antiseptic, ‘medical’ experience, but as the living-through of a primitive mystery, a spiritual celebration, a rite of passage. True to the new sensibility, it does not aggressivley proselytize but conveys its ideology by force of example… Quiet guitar music (composed by the father) accompanies the poetic, tactile images, unobtrusively recorded by the detached camera; no avant-garde pyrotechnics interfere with the intentional simplicity of the statement.

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