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Tansman repeatedly expressed the conviction that his music is rooted in Polish culture, and he included Polish dances, rhythms, and topics in many pieces (e.g. cycles of Mazurkas, the Polish Rhapsody, works inspired by and dedicated to Chopin). Throughout his career, Tansman expressed his Polishness in music by composing more mazurkas, polonaises and obereks than almost any other composer after Chopin. His music created a new link in the history of this genre (now studied by Barbara Milewski at Princeton University). An example of his folk-music settings may be provided by his Quatre danses polonaises of 1931, version for piano. The orchestral version of this work was first conducted in the U.S. by Arturo Toscanini. The last segment of the cycle could be said to epitomize Tansman as a Polish neoclassical composer: in this arrangement of the “oberek” the main theme is presented in a fugato, while the drones, harmonies, and melodies continue to mirror features of Polish folklore. Some of his piano pieces
