Alan Lucien Øyen's 'Kodak' asks the questions: What are our dreams are made of? How are we affected by our desperate desires to be like the icons of our time? What do we become when our icons fall? The audience is faced with fragments of memories and glimpes of past-times, as if flicking through an old photo album. 'Kodak' exists in the hazy boundary between childhood and adulthood, fantasy and reality, safety and danger. We see brands with hidden messages, gleaming white, toothpaste-ad smiles, melancholy film music, American studio stars from the 50s to the 80s. The story takes place in a warped dream world, where nothing is as it first seems.
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