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In this brief excerpt from the course, How To Light Day Interiors: Vol. III, cinematographer Shane Hurlbut, ASC demonstrates first-hand how to control and shape natural light for cinematic results. He provides essential insights into expertly manicuring close-ups, all while referencing shots from the feature film ‘We Are Marshall’ as a case study. HOW TO LIGHT DAY INTERIORS: VOL. III Master lighting day interiors with natural artificial lights! • 6 Lessons • 1 hour of instructional videos How do you shape natural light to deliver that brilliantly lit, cinematic look and texture? In How to Light Day Interiors Vol. III, Shane Hurlbut, ASC clues you in on his methodology for handling negative fill, black tablecloth, mirrors, and mirror board without relying on expensive lights. Then, Shane deconstructs the pros and cons of natural light before flipping it all on its head to reveal how to achieve the same look with artificial light! This course is a must-have for all cinematographers. • Detailed written breakdowns • Top-down Blocking & Lighting schematics • Lighting lists templates • Camera lists templates • Side-by-side comparisons • English subtitles included Learn filmmaking from artists at the top of their game. Try Filmmakers Academy and become a member: Check out our blog filled with career advice, free assets, gear talk, and on set stories: Be apart of our community! Instagram ►► Facebook ►► TikTok ►► Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: #filmschool #cinematography #filmeducation #filmmaker #filmmaking #learnfilmmaking #cinematographer #filmmakingtips #filmmakersacademy #onset #onsetlife #closeup #lighting #lightingsetup #lightingdesign
