Davis’ second great quintet, October 31, 1967, Stockholm, Sweden. Complete set. One of Wayne Shorter’s most amazing solos. The quintet had recorded both SORCERER and NEFERTITI earlier that year (the combo’s third and fourth studio LPs, respectively), and by this time the quintet had essentially abandoned traditional chord-change-based bop, and were playing modal music almost exclusively. Their music was becoming increasingly complex, abstract and free, as Davis moved closer to his electric
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