Understand the Baile Flamenco - 3 BASIC RULES for The Contestacin in a Letra de TARANTO

If you enjoy flamencoMAPS, please consider supporting our work on Patreon: In a baile por Taranto, the dancer and the guitarist must “contestar”, respond to the cante at specific places in the letras. These contestaciones are accompanied by a typical guitar melody which is very useful to practice in order to fully understand how it all works. There are 3 rules of the standard contestación: pickup, 2 compases, closes on 3. Explanations in the video ;-) - Understand the Baile Flamenco - The CONTESTACIÓN of the Dancer: - The Concept of “Call & Response“ in Flamenco: The GUITAR CONTESTACIÓN in The Cante: #flamencomaps #flamencolessons #flamencocompas ____________________ FREE eBOOK to DOWNLOAD: “Flamenco, from Practice to Art: Find your Way, Enjoy the Journey“, on ____________________ Intro: 00:00 1· Where: 00:59 2· Why: 02:47 3· Compás: 03:21 4· A Compás: 04:08 5· Rules of the Game: 05:00 6· Call: 06:35 Conclusion: 08:08 ámono: 08:35 ____________________ flamencoMAPS on social media: - Facebook: flamencomaps - Instagram: @flamencomaps ____________________ We can spend years learning choreographies, steps, letras, or falsetas by heart and still miss the fundamentals of how it REALLY works. FlamencoMAPS gives Flamenco dancers, singers, guitarists, percussionists or simply flamenco enthusiasts a global vision allowing them to make their way through this abundant, rich and complex art. Let's talk about music, dance, interactions, communication, improvisation ... but also artists, culture, language, context, history and stories ... FlamencoMAPS: find your way, enjoy the journey! ________________________