Sony a7s iii ProRes RAW Atomos Ninja V ISO and WB review and comparison Atomos has just announced White Balance and ISO control in FCP X for ProRes RAW from Sony A7s III recorded with Atomos Ninja V with firmware. Is it closer to real RAW now? What are the benefits and disadvantages of ProRes RAW from Sony a7s III and Atomos Ninja V? Why do you need to shoot in ProRes RAW on the Sony a7s III and is it that much better than internal 10-bit codec and Slog3? What are the use cases for ProRes Raw and Sony a7s III Atomos Ninja V? I’ve tested ProRes RAW in many different conditions, graded and worked with it a lot and here are my results! Enjoy! The RAW and internally recorded footage to download - Best cheap HDMI cable - My in-depth ProRes RAW on Sony a7s III Atomos Ninja V review and comparison with internal codecs - Sony a7s III Slog3 workflow tutorial - Ninja V Recorder Review
Hide player controls
Hide resume playing