Building off of the previous two lessons on major triads and arpeggios, this video shows how Wes Montgomery uses those structures in his solo on “Misty“ from the album Smokin' at the Half Note. These eight examples get progressively more complex and deal with static harmony as well as ii-V-I progressions. Download the free PDF for this lesson here: 🚀 Chase's Guitar Academy → A Proven, Structured curriculum 24/7 Feedback and Support Access to World-Class Guitarists: 💎 Jazz Blues Accelerator → Completely revolutionize your approach to improvising over standard jazz blues forms in 6 weeks, starting from the basics to advanced ideas: 🎸 Effortless Practice Masterclass → This course covers the frameworks, tools, and routines to create an efficient practice rout
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