The line of pure white busts sitting amongst the dust in Li Hongbo's Beijing studio could be found in any art classroom around the world. That is until the 38-year-old Chinese artist places his hands on one, lifts gently, and what had seemed like solid plaster transforms into a live, amorphous mass. A roman soldier stretches like elastic, a pretty English maid suddenly rises like a terrible phantasm. They are neither plaster nor clay, but concertinas of thousands of fine pieces of paper.“At the beginning, I discovered the flexible nature of paper through Chinese paper toys and paper lanterns. Later, I used this to make a gun. A gun is solid, used for killing, but I turned it into a tool for play or for decoration. In this way, it lost both the form of a gun, and the culture inherent to a gun. It became a game,“ he said. To make his sculptures Li uses a stencil to paste glue in narrow strips across large pieces of paper that he then sticks together to form blocks of 500. He stacks
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