A very interesting discussion around an attendee's question of what happens when a dance music track reaches the mainstream through the commercialization of that music as it passed from underground to mainstream, and how it can usurp the original artists intent, exploit the music and enrich others, leaving the originating creator without his or her proper due. One of the most important discussions I've heard in my 15-years attending the Winter Music Conference. BT raises the bar here. His argument is thoughtful, powerful and certainly intelligent.
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