“Silos“ is a captivating album hailing from Poland. This collection of powerful electronic music takes inspiration from the iconic Berlin School genre, known for its mesmerizing analogue synthesizers and captivating sequences. With its pulsating rhythms and intricate soundscapes, this album pays homage to the roots of electronic music while infusing it with a contemporary flair. Each track showcases the mastery of analogue synths, creating a rich and immersive sonic experience. From atmospheric ambient passages to energetic and hypnotic compositions, this album takes listeners on a captivating journey through the realms of electronic sound. Whether you're a fan of the “Berlin School of Electronic Music“ genre or simply appreciate the beauty of analogue synth music, this album is a must-listen for electronic music enthusiasts worldwide. Prepare to be transported to a world of sonic exploration and immerse yourself in the timeless allure of classic electronic music. Remote Spaces (1993-2004) was a duo comsisting of Konrad “Yankus“ Jakrzewski and Krzysztof “Horn“ Rzeznicki from Poland. Their music is firmly based on the best electronic music traditions established by Tangerine Dream, Klaus Schulze and Vangelis. If you're looking for a mix of berlin school of electronic music (berlin schule music), ambient and melodic electronic music, you've come to the right place. :) *Listen to playlists:* 🎶 Remote Spaces: 🎶 Krzysztof Horn: 🎶 Full Albums: 🎶 Collaborations: *Follow Krzysztof Horn:* ▶️ Spotify: ▶️ Instagram: ▶️ Apple Music: ▶️ Bandcamp: Want to support my work? ▶️ Buy me a coffee: ▶️ Paypal: *Tracklist:* 01. Infrared Part 1 0:00 02. Infrared Part 2 7:32 03. Arpematik Part 1 14:25 04. Arpematik Part 2 26:23 05. Silos 35:01 06. Świt w Porze Deszczowej (Dawn in Rainy Season) 51:42 Music by Krzysztof “Horn“ Rzeźnicki and Konrad “Yankus“ Jakrzewski Guitar (Dawn in Rainy Season) by Karol Tejchman Mastering: Jerzy “3N“ Kapała Photo: Daniel Robaszewski Album Art: Requiem Studio Łukasz Pawlak *REVIEWS:* For years, Remote Spaces has been associated with music maintained in atmospheres intermediate between Vangelis, KS and Tangerine Dream, while on this album they fried out an outflow towards almost ambient atmospheres, only that in the melodic variety of this genre, i.e. space music in the style of Robert Rich with a touch of Jonn Serrie. As for me, the most interesting Polish electronic group, such Polish Software. [...]. Remote Spaces show with this position how to make a symbiosis of modern sounds with electronic classics in an original way without falling into archaisms. I recommend to all who are not familiar with their work as an introduction before reaching for more of their items. *_spawngamer_* I will frankly admit that at the beginning of my adventure with el-music I had a complex of the Polish electronic scene. Oddly enough, I made it up for myself and it had no support in practice. I simply imagined that if something is Polish, it will always be a copy or, at best, an imitation of what is foreign (although it is clear that in the case of electronic music it is impossible to escape the stigma of apparent derivativeness, which was stamped on it by the great German precursors). The same was true of the music itself - even the music from the 1970s - in most cases you could hear the differences between what was ours and what was not, in the quality of all sorts of equipment and in the production of the recordings themselves, so I was afraid that in the case of native el-creators, what would come to the fore would be the Polish (then still understood by me as plastic) keyboard sounds. As it turned out - my suspicions were completely unfounded. One of the albums, giving the lie to the above complex, is the album “Silos“ - the last (for the time being) studio production of the group Remote Spaces.[...]. For some, the album “Silos“, is a Polish masterpiece. For me - simply a masterpiece. *_Maciej Michta, * Wow, this is really “strong“ music from our Polish neighbors :-) Remote Spaces, [...] from Poland, who have also been active on synthesizers for many years. -Silos- comes from 2004 and can easily be attributed to the Berlin School style. And it's really great music! The music builds up quite steadily to go “nitty gritty,“ as they say nicely. The guys really delivered, they had a lot of great ideas and integrated them in a great way. Good rhythm, rich is EM of the highest order. *_Uwe Saße, * #remotespaces #berlinschool #berlinschulemusic #sequencemusic #oldschoolmusic #arpeggiator #tangerinedream #klausschulze #electronicmusic #synthesizermusic #electronicmusicartist #spotifymusic #spotifyartist
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