I have owned 8 strings for a while now, but I have found it hard to write with them for 2 reasons. One, it's pretty hard to escape the Nothing era Meshuggah sound, because that is what that range is offering you, and those notes are so low that you can't move around too much, or it all gets lost. Two, I just couldn't figure out a tuning that was inspiring and that would also work well given that anything below an F# is really pushing what you can hear on the bass if you want to maintain the octave relationship of the guitar and bass. Funny enough, it was tuning my 8 string to standard that opened up a world for me given that most of the time I'm in dropped tuning. The first few riffs of this song just came out of nowhere while i was watching TV and jamming, and the chorus was a rather strange progression but it worked in an Extolish kind of way. Thinking back, I remember thinking that Spencer was going to have to do something interesting over that chorus because it just didn't sound l
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