Guest
Claude Debussy (1862-1918) & Gabriel Pierné (1863-1937) Works for Harp. *Click to activate the English subtitles for the presentation* (00:00-03:22) Claude Debussy 00:00 La fille aux cheveux de lin (The Girl with the Flaxen Hair) 02:05 Valse romantique Danse sacrée et profane pour Harpe et orchestre à cordes / 1962 06:01 I. Danse sacrée 10:26 II. Danse profane Orchestre de Chambre Jean-François Paillard Conductor : Jean-Pierre Rampal Gabriel Pierné Concertstück pour Harpe et orchestre / 1967 14:55 I. Allegro moderato 21:15 II. Andante 24:21 III. Allegretto Scherzando 30:25 Impromptu-Caprice Op.9 Orchestre National de l’. Conductor : Jean Martinon Claude Debussy Sonate pour Flûte, Alto et Harpe / 1974 35:48 I. Pastorale: Lento, dolce rubato 43:04 II. Interlude: Tempo di minuetto 49:14 III. Final: Allegro moderato ma risoluto Flute : Michel Debost / Viola : Yehudi Menuhin Gabriel Pierné 53:58 Variations libres et final .. .. pour flûte, violon, alto, violoncelle et harpe / 1974 Flute : Alain Marion / Clarinet : Jacques Lancelot Quatuor Via Nova Claude Debussy Danse sacrée et profane pour Harpe et orchestre à cordes / 1968-69 1:04:58 I. Danse sacrée 1:09:29 II. Danse profane Orchestre de Chambre Jean-François Paillard Conductor : Jean-Pierre Rampal Sonate pour Flûte, Alto et Harpe / 1938 1:14:22 I. Pastorale: Lento, dolce rubato 1:21:44 II. Interlude: Tempo di minuetto 1:27:14 III. Final: Allegro moderato ma risoluto Flute : Marcel Moyse / Viola : Alice Merckel Gabriel Pierné 1:31:39 Impromptu-Caprice Op.9 / 1938 1:36:11 Concertstück pour Harpe et orchestre / 1935 Orchestre des Concerts Pasdeloup Conductor : Pierre Coppola Bonus: 1:49:02 Paul Bernard ’Ça fait peur aux oiseaux’ / 1933 1:51:10 Anon ‘Mon père veut me marier.. Je saute, je danse’ / 1933 Soprano: Mary Marquet Harpe : Lily Laskine Recorded in 1933-74 New mastering in 2021 by AB for CMRR 🔊Find CMRR's recordings on Spotify : 🔊Download CMRR's recordings in High fidelity audio : She was nicknamed the “Great Lady of the Harp“ because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music. She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right. We have added to Debussy's music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy! Claude Debussy PLAYLIST (references recordings) :
